Susie O’Byrne is a studio holder at the Glasgow Ceramics Studio in WASPS, where I also have my space. The piece you can see below is roughly life size, or about 50cm tall. It is painstakingly built up out of small patches of individually printed paper porcelain sheets. The work is hung in the kiln during firing to retain it’s incredible grace of form. It is an anthropomorphic piece, inspired by dreams and images which populate the subconscious, and informed by nature study in Africa.

Susan O’Byrne, Cheetah, 2008

This amazing sculpture is on exhibition at the Aberdeen Art Gallery, in Aberdeen, Scotland until the 31st of May, as part of the Aberdeen Artists’ Society seventy-fourth exhibition of Painting, Sculpture, Drawing, Photography, Architecture, Video, DVD, Design and Craft. If you would like to see it for yourself, information on gallery address and opening hours is here.

My lovely brother has just sent me a link to a blog that explains how to make a light tent for photographing small objects out of a cardboard box and some tissue paper. I wonder why I haven’t thought of it already? I’ll definitely find this very useful when re-shooting photos of my work.

Here’s the link: Macro photo studio.

I’ve just made some new work for the Parade Artists sale, and I’m quite excited about it. These are thrown porcelain bowls with a black stoneware glaze. They’re the sort of size that settles comfortably into cupped hands, quite nice to hold. I’ve polished the base as well, because I love the velvety feel of polished porcelain. This is the start of my new functional body of work. Come and see them (and hold them) at the sale this weekend!

Here’s one of my bowls with a clear glaze. I’m quite impressed with how lovely the Glacier Porcelain turns out. Initially, I had a little trouble with the bases cracking if the bowls were dried too fast, but I soon remedied that by drying them slowly under plastic. We have big automatic ceiling heaters in the studio that I think were mostly responsible for me losing quite a lot of the pieces I made first time round.

Here’s the statement that goes with these:

These fine porcelain bowls are inspired by the swirling water currents of the Water of Leith, as it winds its way through the city of Edinburgh. The liquid-like spirals in this work are formed with the aid of the meditative spinning action of the potter’s wheel.

I share my life between two beautiful, ancient cities of Scotland, Glasgow and Edinburgh. A walk in the green, natural and cultivated spaces, along rivers and waterways in those cities, provides a relaxing break from the pressures of everyday urban existence. In my work, the natural beauty of water serves as a metaphor for life.

Having a unique hand made ceramic object from which to enjoy a peaceful meal, gives time for contemplation and respite from everyday pressures. It is just a small object that can be cradled in the palm of the hand, yet it is warming and comforting, and makes even the simplest meal a special occasion. In an age of fast food and disposable containers, the hand made ceramic object offers individuality and a connection with the earth, from which it is created.

Next weekend, on Saturday 10th (10am - 5pm) and Sunday 11th (11am - 4pm) May, I’m involved in a group exhibition and sale with some other artists from the WASPS artists’ studios in Glasgow, where I’m a studio holder. Our group is called Parade Artists (WASPS studios are located on the corner of Alexandra Parade) and encompasses a range of media, including painting, photography, printmaking, jewelery, textiles, ceramics and glass. The sale will take place in the large front entrance gallery space of the 77 Hanson Street building, alongside the cafe, which is also open on weekends. I’ve made some lovely swirling porcelain bowls for the occasion. Linda McGill, Stuart Grant, Sue Wong and Elinor Caie from the Glasgow Ceramics Studio are also participating. So come along and have a browse if you happen to be in Glasgow. Hope to see you there!

The Students and Staff of the Ceramics Department at the Glasgow School of Art invite you to the opening night of their exhibition, presenting works of protest against the closure of Scotland’s last ceramics department.

The exhibition will be held at the Owl and Lion Gallery, 15 The Grassmarket, Edinburgh, EH1 2HS. Runs from Friday 29th February until Sunday 2nd March (one weekend only). Opening hours 10 till 6pm.

Join the artists for the opening night at 5pm on Friday 29th February.

Click on the link below for the flyer:

Exhibition at Grassmarket, Edinburgh

SIGN THE PETITION TO SAVE THE GLASGOW SCHOOL OF ART CERAMICS DEPARTMENT.

Despite all the bad news with the recent QILT vote to go through with the closure of the Ceramics Department at the Glasgow School of Art, there is still hope. Student power and the power of the community is invaluable in reversing the policy of the institution and the government who seem intent on wiping out ceramic practice in Scotland.

Are you an art practitioner or student? With funding cuts affecting the closure of an entire discipline in Scotland, who’s to say whether your department won’t be next? Is Ceramics only the first department in a long line of planned cuts? How long will the Glasgow School of Art remain open?

Is art culturally valuable? What will happen to Scottish identity if the next generation of Scottish artists don’t have access to education  or the means for cultural expression through art? How will this affect tourism and our community? We need YOUR help to succeed!

Now all the information you need has been added centrally on one blog that is accessible to all. Click here to view the blog. There you will be able to sign our petition to express your support. You will also find a permanent link to the new blog on the right hand side of this page. If you’ve already signed our petition, your letters addressed to the GSA executive, to your local government representative and to your local press, in support of the ceramics department are invaluable.

Thank you for your support.

SIGN THE PETITION TO SAVE THE GLASGOW SCHOOL OF ART CERAMICS DEPARTMENT.

For everyone who has been following the developments at the Glasgow School of Art, with the proposed closure of the ceramics department, the only remaining undergraduate ceramics course on offer in Scotland, I am including below a document, which was presented to the board on Monday 20th February by Ester Svensson, student representative for full time undergraduate students (The formatting in the article below is my own):

If you would like to download and print out this document, this is a pdf copy: Letter from students for GSA Board of Studies meeting.

The Future of Ceramic Design
Students’ Response
Ceramics (Full-time) Student Representative
Febuary 2008

1). The lack of consultation.

The recommendation states “for the past five years the undergraduate pathway of BA (Hons) Design in Ceramics and Ceramic Design has been under scrutiny.” What form did this scrutiny take?

A review was announced in September (2007), but did not seem to actually materialize. A review meeting had been scheduled with the ceramics staff on Monday 4th (Febuary), but was canceled, and the next day the recommendation was announced to the staff. It came as a shock, both to staff and students.

(more…)

Considering the grim news about the imminent proposed closure of the GSA Ceramics Department - the fate of which is to be decided at a Board of Studies meeting this Monday 18th February, I’ve decided to highlight some of the excellent undergraduate talent currently coming out of the Glasgow School of Art ceramics program.

If this program closes, there will be no undergraduate ceramics courses at university level available for study in either of the major cities in Scotland. What will this mean for Scottish ceramic art and Scottish culture as a whole? Can such a small country afford to turn it’s back on contemporary artists? Will future generations of artists be lost to England or abroad elsewhere? Will Scotland lose that avenue for social commentary and creative expression?

Ester Svensson, 4th year honors student, in her space at GSA

This is some of the most interesting, original and innovative work that I’ve seen to date. Ester is a young artist who is interested in multiculturalism, myth and storytelling. To view Ester’s work - click here.

Furthermore, Ester took a year off her university studies last year and traveled to Afghanistan, where she worked for the Turquise Mountain Foundation. The Foundation is involved with helping to restore historic sites and keep traditional craft skills from disappearing, providing employment and income for families recovering from the devastation of war.  Ester worked with Afghani potters in a cultural exchange of knowledge and skill for a full year, visiting ceramics restoration workshops and a ceramics school. To view the incredibly beautiful photographs of ancient and rarely before seen ceramic art from her journeys click here.

To everyone who has written letters of support for the Glasgow School of Art Ceramics Department, a big THANK YOU.

Ester Svensson and three other student representatives, as well as Archie McCall, Head of Undergraduate Studies for the School of Design and former head of the Ceramics Department, met with the Head of the Design School, Professor McAra McWilliam on Tuesday 12th February and handed her the letters. Unfortunately the Director of the Glasgow School of Art, Professor Seona Reid could not attend.

Here is an excerpt from Ester’s email about the meeting:

Hello everyone,

ester

To everyone who reads this blog:

PLEASE HELP US SAVE THE CERAMICS DEPARTMENT
AT THE GLASGOW SCHOOL OF ART.

Ester Svensson’s email address is: thisisestersaddress at gmail dot com

I have just received news that the Head of the School of Design, Professor Irene McAra McWilliam, announced to the student body today that the school is to stop accepting enrollments from new students in ceramics, with a view to closing the department down.

The official reason for the closure is that the department has not received enough interest from prospective students for keeping it running to remain a viable option. This, however, seems incorrect, as always in the past there have been more new applicants than places available.

With the recent amalgamation of the Ceramics Department at the Edinburgh College of Art with the Sculpture Department, it appears that all options for skills based degrees for ceramic artists in Scotland are being closed.

I have recently moved to Scotland and have been involved with the Glasgow School of Art Ceramics Department while studying for my MPhil degree in Ceramics through the Australian National University. Indeed, the ANU has had a long standing exchange and working relationship with the Glasgow School of Art, as have many other institutions throughout the world.

I have found the knowledge, skills and generosity of Archie McCall, Bill Brown, Irene Bell and Wendy Kershaw to be outstanding. Their hard work, expertise, mentorship and love of teaching is all that stands against the loss of talent, continuity of the Scottish ceramic tradition and skill for the next generation of Scottish contemporary ceramic artists and designers.

The Glasgow School of Art offers a design perspective to the study of ceramics, including unique state of the art screen printing and plaster working facilities. It is widely connected with ceramics industry and specializes in Architectural Ceramics.

It is indeed a shock for me, as well as for all ceramics students at the department to hear these news. As a result, the student body is due to meet with the Executive on Tuesday the 12th of February, to express their concerns. It would be incredibly helpful if they could bring any messages with them that express support for their cause.

I ask that all of you forward this message to anyone who has studied, taught at, or visited the Glasgow School of Art Ceramics Department.

Messages of protest regarding the proposed closure should be directed to the Director of the Glasgow School of Art, Professor Seona Reid (s dot reid at gsa dot ac dot uk) or to the Head of the School of Design at the Glasgow School of Art, Professor Irene McAra McWilliam (i dot mcara-mcwilliam at gsa dot ac dot uk). Furthermore, messages can be emailed to Ester Svensson (thisisestersaddress at gmail dot com), who is a 4th year honors student in ceramics and she will print them out and present them at the student meeting with the GSA executive on this Tuesday, 12th February.

I thank you in advance for any support that you are able to offer.